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Discuss the portrayal and effects of loss in the poetry of Cavafy

My Mother's Sin and Other Stories A series of lectures on Modern Greek literature taught by Dr Dimitra Tzanidaki-Kreps This is a first class essay of one of my students, Jenny Wight, who took my course this year writing beautifully on the effects of loss in Cavafy's poetry.

Discuss the portrayal and effects of loss in the poetry of Cavafy

Discuss the portrayal and effects of loss in the poetry of Cavafy

My Mother's Sin and Other Stories A series of lectures on Modern Greek literature taught by Dr Dimitra Tzanidaki-Kreps This is a first class essay of one of my students, Jenny Wight, who took my course this year writing beautifully on the effects of loss in Cavafy's poetry.

Discuss the portrayal and effects of loss in the poetry of Cavafy

Hyperion or the hermit in Greece

Concept, dramaturgy and performance by Dimitra Kreps

Hyperion or the hermit in Greece

How does Seferis’ mythical method interact with Greece’s lasting socio-political issues?

Seferis uses the mythical method in his poetry to allude to and comment upon social and political issues in Greece in his lifetime. Before discussing his poetry, it is important to define what is meant by Seferis’ mythical method. This method can be described as allusive, as although Seferis does make direct references to myth he does so in inventive ways, for example by using narrative space, symbols and characters to evoke Greek myths.

How does Seferis’ mythical method interact with Greece’s lasting socio-political issues?

In Ritsos’ Moonlight Sonata what sentiments does the woman’s confession provoke/inspire to you and how these compare to the ones felt by the young man who remains silent throughout her long monologue.

Yannis Ritsos' "Moonlight Sonata" is a poignant and emotionally charged poem that presents a deeply intimate monologue of a woman speaking to a silent young man. The setting is night, with the moonlight casting a dreamlike atmosphere over the scene. The woman's confession, filled with personal revelations, memories, and emotions, evokes a variety of sentiments in the reader and provokes a complex response.

In Ritsos’ Moonlight Sonata what sentiments does the woman’s confession provoke/inspire to you and how these compare to the ones felt by the young man who remains silent throughout her long monologue.

«Examine how homoerotic love is expressed in Cavafy’s erotic poetry» By Yousuf Danawi, Reading University

This essay aims to examine the manner in which homoerotic love is expressed in Constantine Peter Cavafy’s erotic poetry.Initially, it will provide a brief introduction entailing contextual information. Subsequently, this essay will bestow an intricate analysis of his erotic poems, with a particular focus on elucidating recurrent themes pertaining tohomoerotic love. The analysis will explore both the formal and thematic constituents of Cavafy’s erotic poetry, accompanied by a pervading extraction of deeper meaning.This examination will be enhanced utilising relevant secondary literature. The primary source that consists of the poems to be discussed in this essay derives from a digital anthology that comprises Cavafy’s ‘Recognised’, ‘Denounced’, and ‘Hidden’ poems

 «Examine how homoerotic love is expressed in Cavafy’s erotic poetry» By Yousuf Danawi, Reading University

Theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood, flashbacks are some of Cavafy’s recurring ‘tropes’. Discuss.

Within the vast poetry collection of Constantine Cavafy, arguably, a pattern of recurring tropes emerges, offering the readers an in depth understanding of what defines his artistry. The poems that I have chosen for this essay being Young Men of Sidon, Alexandrian Kings and Kaisarion, from his book The Collected poems. One might say that they serve as an example of Cavafy’s gravitation towards an array of literary devices such as theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood and flashbacks, one might say that they create a narrative that extends beyond the individual poems, inviting us to explore the timeless themes captured by Cavafy.

Theatricality, didacticism, prosaic verse, use of persons as symbols, contemplative mood, flashbacks are some of Cavafy’s recurring ‘tropes’. Discuss.

The form of Dramatic Monologue as perfected by Ritsos’ poetry.

Yannis Ritsos is widely regarded as one of the most significant figures in contemporary Greek poetry. He managed to revolutionise the idea of a dramatic monologue and create not just beautiful poetry, but also a multifaceted art form that has depth on psychological, social, and philosophical levels throughout all of his publications. The dramatic monologue form was popularised by Victorian poets such as Robert Browning, but Ritsos revitalised it and many poets to this day still use his style as inspiration. His ability to construct identities and characters that the reader can genuinely sense and almost experience is skilful.

The form of Dramatic Monologue as perfected by Ritsos’ poetry.

Poetics and Histories: To What Extent Did C. P. Cavafy Alter Historical Narratives, and for What Artistic Purposes?

stuident Name: Joseph Watson Module Lecturer: Dr Dimitra Tzanidaki-Kreps Date of Submission: 11/01/2016

Poetics and Histories: To What Extent Did C. P. Cavafy Alter Historical Narratives, and for What Artistic Purposes?

ἐξ ἐρίων δὴ καὶ κλωστήρων καὶ ἀτράκτων

This essay examines that metaphor in the context of the political and war situation at the time Lysistrata was first performed. It considers traditional gender roles in the fifth-century Greek polis and Lysistrata’s inversion of those roles in her weaving analogy. Aristophanes’ comedic purpose in the weaving speech, in Lysistrata as a whole, and more generally across his corpus is examined. In addition, some observations are made about the sound pattern of Lysistrata’s speech and, in a personal argument, a speculative suggestion is advanced that the audience might have associated her cadences with the familiar rhythms of a domestic weaving loom.

ἐξ ἐρίων δὴ καὶ κλωστήρων καὶ ἀτράκτων

Ελλάδα και Βαλκάνια (Μάιος 2006)

(Oxford University - Greek Society)Greece and the Balkans200 YEARS OF CO-EXISTENCE, INTERACTION AND MUTUAL INFLUENCE

An Investigation into the Political, Social, Economic and Cultural Ties between Greece and the Balkan States

The Oxford University Greek Society, with the support of South East European Studies at Oxford, is organising a graduate conference on ’Greece and the

Balkans: two hundred years of coexistence, interaction and mutual influence’.

The conference will take place in Oxford in late May 2006. The establishment of the Greek state in 1830 ushered in a new era in the political, socio-economic and cultural history of South East Europe. It marked

the beginning of a long process that continued with the gradual disintegration of Ottoman rule and the rise of Balkan nation-states. The subsequent period

in the 20th century comprised regional wars, antagonisms and cold-war bipolarity as well as cooperation and strategic partnership among Greece and its northern neighbours. The aim of the conference is to explore this interaction

between Greece and the Balkan states from the first decades of the 19th century of Greece’s statehood to the present post-communist more Europeanised

climate. The Conference will have an interdisciplinary focus and would like to cover different topics related to politics, ideology, society, economy, and culture. Participants are encouraged to address such themes as nationhood in the Balkans in the 19th and the 20th century, with reference to the impact of Greece’ s nation building and nationalism and writings on Balkan nationalism,

and vice versa; mutual influences between political and legal cultures; relationships during the cold-war period and the ideological divides between Greece

and the Balkans; the impact of the EU and Greece as a member state on the other Balkan states; the role of orthodox religion as a bond or competition between the Greece and its orthodox neighbours; minorities and migration; the changing character of economic relations and cultural exchanges; the role of literature in mutual relations. By examining such a range of issues, the conference aims to foster a debate on the relationship between Greece and its regional neighbours and its significance for the modern Balkans.

Interested parties are requested to send a clear and succinct summary of their work in English (c. 1000 words) as well as an up-to-date CV to the organising

committee by 1 February 2006. The official language will be English. All papers will be published online and will be accompanied by short abstracts in both English and Greek. A number of travel grants may be available for participants from non-UK universities who submit their work on time. All submitted papers will be considered by the Conference’s Scientific Committee, which will consist of postgraduate students and academic members of

the University of Oxford. Interested parties will be notified whether their papers have been accepted by the end of March 2006.

http://users.ox.ac.uk/~greeksoc/balkans/index.htm

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